Art Cristal

In 1891, the Daum brothers inaugurated their first art workshop, destined to become the cradle of collaborations between artists and craftsmen.

Faben Mister Lover

Regular price 2 656 €

Jean Faucheur Masque de Verre

Regular price 17 656 €

Jean Faucheur Masque de Verre

Regular price 17 656 €

Arman L'Ame de Vénus

Regular price 104 063 €

Michel Coste Marine

Regular price 12 292 €

Jean-Philippe Richard Margot

Regular price 3 010 €

Marie-Paule Deville-Chabrolle Lys d'Eau

Regular price 23 438 €

Natacha Mondon Lune de miel

Regular price 12 500 €

Jérôme Mesnager Love Dance

Regular price 4 010 €

Alain Choisnet Louison

Regular price 14 688 €

Jean-Philippe Richard Louise

Regular price 3 010 €

Collabs in Crystal - Paris with Love

Regular price 36 €

Collabs in Crystal - Cabeza

Regular price 36 €

Marie-Paule Deville-Chabrolle Les 7 Perles

Regular price 83 229 €

Dan Dailey Le Soleil

Regular price 31 771 €

Laurence Bonnel Le Retour

Regular price 20 104 €

Maria-Luise Bodirsky Lady Ginkgo

Regular price 7 396 €

Alain Séchas La Vénusienne

Regular price 39 583 €

Louis Derbré La Terre

Regular price 18 229 €

Marie-Paule Deville-Chabrolle L'hiver en Soi

Regular price 33 333 €

Marie-Paule Deville-Chabrolle L'hiver en Soi

Regular price 33 333 €

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Key figures of the Art Nouveau era trained there, such as Gruber, who propelled glassmaking into the realm of fine art, Berger, and Almaric Walter, who first developed the pâte de verre technique. The initial exchanges between Émile Gallé and Antonin Daum went further, resulting in the creation of some of the most beautiful lighting fixtures of the period. The Daum brothers were the first to encase light in glass, and for this exceptional achievement, they received an award at the 1900 Paris Universal Exhibition. Inspired by this success, they founded the École de Nancy with Majorelle, Prouvé, Gruber, and Weissenburger, with the aim of promoting the crafts and art industries of eastern France. Their inspiration was drawn primarily from flora and fauna, which they celebrated in their creations.

In 1968, the Daum family breathed new life into the glassworks, which had become a crystal manufacturer in the 1950s, by reviving the lost-wax casting technique, applied to pâte de cristal, a technique rediscovered in the early 1900s by Almeric Walter. The crystal manufacturer took a decisive turn by launching its first artistic collaborations with leading artists of the time, such as Dalí, César, and Arman. Since then, it has continuously refined its expertise, working in partnership with artists from all movements: figurative art, contemporary art, African art, urban art, floral art, and women's art. The crystal manufacturer sets no limits, with the sole objective of reinventing the material without altering the essence of the artwork. Thanks to its exclusive technique, Daum creates unique pieces, bringing them to life in color.

Since then, the crystalworks has collaborated with over 400 artists from diverse movements, from Dalí to Villeglé, from Manolo Valdés to JonOne. Some artists have established long-term partnerships, sharing the same DNA as the crystalworks, and remain artists-in-residence, such as Jean-Philippe Richard, Marie-Paule Deville-Chabrolle, Sylvie Mangaud, Laurence Bonnel, and Madeleine van der Knoop. Others create capsule collections, in the form of unique works, like Gé Pellini, Jean Faucheur, Kongo, and Kriki. Daum, a historic crystalworks, wholeheartedly supports international art, while never neglecting to showcase the French art scene in its catalog, with artists such as Gérald Vatrin and Jean-No. The House of Daum draws upon its Decorative Arts heritage through its three favorite themes: women, flora, and fauna, creating limited-edition, numbered pieces. From Art Nouveau to Art Deco, from Floral Art to Figurative Art, Daum has been renewing itself and demonstrating its expertise for over 140 years in making the most beautiful works unique in an infinite creativity of colors.